Swedish metal band Disruption release "TORCHED", second single from their upcoming new EP
A final cry for forgiveness, a confession to deaf ears. The last hints of pride abandoned, fed to the flames with the memories of shattered dreams. The scarps of a failed life gathered to be burned before callous eyes.
"TORCHED", the second single from their upcoming ep, is a dark and unforgiving suggestive soundscape that throws the listener between the despair of the desperate chorus to the fighting energy of the cutting riffs. Torched will leave its fiery brand in the hearts of those who engage it.
A relentless piece of accumulated frustration, channeled through the instruments and voices of six Swedish extreme-art veterans Disruption (also associated with acts such as Vampire, Spawn of Possession, Imperishable, Istapp).
Disruption ravaged the local scene of a poor industrial region in southern Sweden, Blekinge, since back in 1999. Dominating the local metal-scene with their agressive merge of Swedish melodic Death-Metal and American influenced thash/numetal sound, paired with political lyrics aiming to put the search-lights on the injustices of the world and the darker aspects of human constructions of society.
Disruption where awarded best live act of the region as well as heavily influencing the extreme music scene in Blekinge. They recorded demos "Bitch on the cross" and "A soul full of hate" , as well as music/video package "Demolisher-pack" and releasing album "Face The Wall in 2004." After which the band morphed into alternative HC-outfit "Jack Daw" as they celebrated their first decade together.
The rebirth of Disruption in 2022 occured in an even darker world where humanity seem eager to self-destruct. As society implodes, Disruption mindset is to be here providing the soundtrack by which we all come to an end. The modern, upscaled version of the pianist performing as Titanic sank to its grave on the arctic seafloor.
"TORCHED": https://open.spotify.com/intl-pt/album/460hTKdxJElbz74jQmXDAV
Maltese Metal Heads Align The Tide unleash blistering new track with video, announce new album
Maltese Metal Heads – ‘ALIGN THE TIDE’ unleash their second track with video - "Unbreakable" from their highly anticipated upcoming album - "Hollow". The album will be released on August 26th, 2022 via Cleopatra Records. "Unbreakable" is now available on all major streaming services and the video can be found on the Cleopatra Records YouTube channel here. The track is more like an anthem of empowerment, touching on subjects such as inner strength, the tenacity to endure whatever life throws at him/her. To keep fighting no matter what!
Unbreakable recently premiered via Decibel Magazine and the feature can be found here.
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Band Statement:
“Hollow” is a perfect transition into our new style as Align the Tide, still keeping the main elements but with a refined sound. Expect heaviness, catchy choruses and in your face riffs that will make you dance. We decided to go with a topic such as ‘Mental Health’, in which most people go through on a daily basis. Each song has its own story that most people will relate to as some tracks are based on real life experiences as well as having concepts and stories.
Pre-orders for both "Unbreakable" and "Hollow" are available below:
Unbreakable:
https://orcd.co/align_the_tide_unbreakable
Hollow:
https://orcd.co/align_the_tide_hollow
In case it was missed, check out ALIGN THE TIDE’s first video from the ‘HOLLOW’ album ‘Judgment’:
https://www.youtube.com/watch?v=NM-qcT9E3sY
Formed in September 2015, the band experimented with several different music sounds while working alongside different local musicians, extracting influences and styles.
The founders of the band, have been exploring music genres for the past nine years before settling in the active sound you hear today in Align The Tide! Together, they composed music based on thrash, groove & melodic metal resulting in the recording of their debut album ‘Dead Religion’ & videos for ‘The Golden Throne’ & ‘Welcome to Hell’ from the same record. Merchandise has been designed & produced to accompany the above release.
In March 2018, the band supported the legendary band ‘Mushroomhead’ on their American tour visiting several main cities such as: Mesa, San Diego, Portland, Seattle, Jerome, Fort Collins, Denver, Colorado Springs, Lincoln, Waterloo, Minneapolis, Joliet, Madison, Racine, Cleveland.
Upon returning home the band participated in several local gigs & festivals where they have rooted their main fan base before embarking on a mini European tour visiting Germany and the Czech Republic.
Align The Tide are signed to the major Independent record label based in the US – Cleopatra Records. They have released ‘Dead Religion’ as their first opus with their second album ‘Hollow’ due to be released in August 2022.
For More Information:
https://www.facebook.com/alignthetide/
www.CleopatraRecords.com
https://www.facebook.com/CleopatraRecords/
https://www.instagram.com/cleopatrarecords/
https://twitter.com/cleopatrarecord
https://soundcloud.com/cleopatra-recs
https://www.dailymotion.com/CleopatraRecords
https://vimeo.com/cleopatrarecords
https://open.spotify.com/user/cleopatra_recs
https://www.linkedin.com/company/cleopatra-records
Psych Doom act Cavern Deep releases "Skeletal Wastes" track/video
Before it, an ancient war ground. It is vast and dreadful to behold.
The last big battle of a dying civilization. The last gasping breath.
The being makes its way through labyrinths of giant dead abominations and remnants of war machines since long put to sleep. Picking up pace. Slowly burning from inside with an ever-growing sense of meaning. It is the final solution. The retaliation of many. The faint glow in its veins extends to a cord.
The hovering placenta is feeding it in a steady rhythm, preparing the being for its passing.
The video recently premiered via Decibel Magazine and the feature csn be found here:
https://www.decibelmagazine.com/2023/06/01/video-premiere-being-productive-in-those-wasted-years-with-cavern-deeps-skeletal-wastes/
The concept album "Part II - Breach" is out the 14th of July.
Vinyl Pre-order: https://bonebagrecords.com/products/cavern-deep-part-ii-breach-12-vinyl-pre-order
CD Digipack Pre-order: https://bonebagrecords.com/products/cavern-deep-part-ii-breach-digipack-cd-pre-order
https://www.instagram.com/caverndeep/
https://soundcloud.com/cavern-deep/sets/cavern-deep/s-vXHfz2xWb1D
https://www.facebook.com/caverndeep
https://caverndeep.com/
https://www.youtube.com/channel/UCCkEHVpXXzc0dNxdLFD2KqQ
https://caverndeep.bandcamp.com/
https://open.spotify.com/artist/7bkqNlCj8EPtEkknkEsNs6?si=w-8Fa7VpS6-sw3Dsc-Hd3g
https://music.apple.com/se/artist/cavern-deep/1536370491
Connect with Bonebag Records:
https://www.facebook.com/bonebagrecords/
https://www.instagram.com/bonebagrecords/
Canadian Death/thrash Act DECORPSETATED releases drum playthrough video
Decorpsetated unleashes a drum playthrough video for the title track "Human Words" from their recently released debut album. The drums were performed by Blake Ryan Chadwick and the video can be found here:
https://youtu.be/kCT_uErmXyg?list=PLeIUku7eqZBjAABgj_ViOTXicFwRGc2Uo
The Human Words album released on March 31st on all major platforms and can be found here: https://distrokid.com/hyperfollow/decorpsetated/human-words
Connect with Decorpsetated:
https://www.facebook.com/profile.php?id=100090318662555&mibextid=ZbWKwL
https://instagram.com/decorpsetated?igshid=YmMyMTA2M2Y=
https://distrokid.com/hyperfollow/decorpsetated/human-words
https://decorpsetated---north-america.myspreadshop.ca/
Wisconsin’s newest metalcore outfit Vacant Voice release guitar play-through video for "Transience" track
Vacant Voice have released a guitar play-through for their newest single, “Transience”, taken from their upcoming album “Cathartic Beauty.” The record will be the groups debut effort, and features 8 tracks that all bleed individual colors, making up a dynamic first release for the Wisconsin-based quintet.
Check out the play-through here:
https://youtu.be/KAm-CtRJpHg
Connect with Vacant Voice:
Facebook: https://www.facebook.com/VacantVoice?mibextid=ZbWKwL
Instagram: https://www.instagram.com/vacantvoicewi/
YouTube: https://www.youtube.com/channel/UCfF3KvVNJOkeC2PN8WM0eBg
Tik Tok: @VacantVoiceWI
Psychedelic doom band Owls & Eagles Release Debut Album; Stream In Its Entirety
Owls & Eagles, a two piece psychedelic doom band from Calgary Alberta releases their debut album Patience Vol. 11and stream in ita entirety via Doomed & Stoned.
The album released on June 1st through Moments Records.
This upcoming album is a concept album, its taken us 2.5 years to get it out.
Produced and engineered by Jamie K at Prohibitor Studios Calgary.
Artwork by Broken Wing Visual Media
Our story starts with Patience realizing her home has become poisoned by hate, greed, and corruption. She makes a choice; she chooses to leave this place she has called home since birth. For once in her life, she sees everyone for who they really are, liars, cheaters, destroyers, killers of the land, pure evil at its fullest. She leaves and never turns back.
Check out the feature: here:https://doomedandstoned.com/post/718935299250618368/owlandeagles
The album can be purchased through all major platforms as well as the bands Bandcamp page.
Owls & Eagles are:
Mark Russell - vocals/drums
Ross ferguson - guitar/vocals
Connect with Owls & Eagles:
http://www.facebook.com/Owlseaglesyyc
http://instagram.com/owlsneaglesyyc
https://owlsneagles.bandcamp.com/track/enlightenment
East Coast Canadian death/Thrash act DECORPSETATED release debut album "Human Words"
East Coast Canadian death/Thrash act DECORPSETATED release debut album "Human Words"
(of a sentient being) to have had one’s corpse
violently and abruptly removed from their soul.
“this decorpsetated soul may never find its way
without a vessel”
Description:
Track by track, Human Words peals back the layers of human selfishness. With teeth gnashed and claws drawn,
this vicious account of raw humanity will leave you questioning how we still exist, as well as whether we should… oh, and it rips pretty hard, if you’re into that sort of thing.
From the artist:
“As musicians we often end up with seemingly endless folders of unreleased music for one reason or another. You always tell yourself you’ll put together an album but you never do. So I started chipping away at a collection of my favourites with absolutely no vision of how it would turn out. 3 years later I’m sitting back in my studio listening to songs I thought were about greed, war, and extinction, only to be slammed with the reality that these were in fact metaphorical manifestations of my own emotional bullshit. In that moment I knew these stories had to be shared. What if someone else is facing similar struggles and trying to interpret them through a similar lens?”
-Marc
Credits:
All drum composition, performance, and pre-production by Blake Ryan Chadwick (aka theultim8apocalypse on socials), as well as Post FX for Taser Napkin
All songs, lyrics, and performances otherwise by Marc Schultz
All final production, mixing, and mastering by Marc Schultz @ ChaoticidalCreations
All album art and logos by Ulises Serrano @ sinonskintattoo
Connect with Decorpsetated:
https://instagram.com/decorpsetated?igshid=YmMyMTA2M2Y=
Umbilicus (Cannibal Corpse/Deicide members) release video for new single “Gates Of Neptune”
New rock band UMBILICUS has released their third single, “Gates Of Neptune”, from their upcoming debut album “Path Of 1000 Suns”, with an accompanying video. Fresh onto the scene, the quartet have put their death metal chops aside, and embraced their collective love of 60s and 70s hard rock.
On “Gates Of Neptune”, Nordberg said: “Gates is definitely one of my favorite songs on the album. It’s a pretty simple song, but it says so much and is so incredibly dynamic. It really takes you on a journey. Brian’s vocals are also absolutely beautiful on this track, and really made it go from a neat song to an epic one! Though we made the band to make some classic hard rock, one of the things that made all those old bands so good was because they were able to be dynamic and have a “ballad” track on an album. “Dream On” I rest my case! We hope you all enjoy this song.
“Path Of 1000 Suns” can be pre-ordered at umbilicusband.bandcamp.com
“Path Of 1000 Suns” will be out September 30th on Listenable Insanity Records, and was mixed and mastered at Smoke & Mirrors Productions by Taylor Nordberg. The “Gates Of Neptune” music video was edited by Daniel Wahlström at Heavy Groove Media
Path Of 1000 Suns track-listing:
1. Hello Future
2. Umbilicus
3. Gates Of Neptune
4. I, Human
5. Stump Sponge
6. My Own Tide
7. Life On The Sun
8. The Call
9. Traveler
10. Gathering At The Kuiper Belt
The group is comprised of drummer Paul Mazurkiewicz (CANNIBAL CORPSE), guitarist Taylor Nordberg (DEICIDE, INHUMAN CONDITION, THE ABSENCE), bassist Vernon Blake (ANARCHUS, NAPALM DEATH - live), and vocalist and lyricist Brian Stephenson (FORE). The instrumentalists grouped together in the summer of 2020, crafting the music for what became "Path Of 1000 Suns" throughout the remainder of the year, then tapping vocalist Stephenson the following year to complete the lineup.
The band's debut album "Path Of 1000 Suns" is set to be released on September 30h, 2022 on Listenable Insanity Records and can be pre-ordered at umbilicusband.bandcamp.com
Details regarding international releases will be announced soon.
"Path Of 1000 Suns" was recorded, mixed, and mastered by Taylor Nordberg at Smoke & Mirrors Productions. The artwork for the album was also done by Taylor Nordberg.
Connect with UMBILICUS:
www.Facebook.com/umbilicusfl
Instagram.com/umbilicus_official
umbilicusband.bandcamp.com
Icelandic metal act SORG release new album 'Nordandrekar'
Sorg is the brainchild of the Painter, Musician, and philosopher Myrmann. The influence for SORG combines both, a variety of disparate rock and metal genres, and also Myrmanns interest in history, romanticism, Icelandic Folklores, Alchemy, and philosophy. Sorg is a tool for using his voice for to 2 create awareness about spreading love and kill judgement and prejudise in modern Society.
Mýrmann comes from Iceland, small mystical and gloomy Island in the North. His work is heavily influenced by Icelandic Heritage, cultural traditions, the three major elements of the Icelandic nation: The landscape, The rich literature and the old sagas.
“Sorg is not about doing the most and best produced albums, It is about using a voice for something honest and real” - says Mýrmann.
About 'Nordandrekar':
The new album is a 11 song concept album. The story is about dragon riders from the North, they go to a war with an evil tyrant from abroad. They fight the evil with pure hearts and courage! Somehow teaching us the art of war as it should be.
The idea behind the story is that Mýrmann believes that good will always win and believes in a world were everybody can get along and love each other, no matter backgrounds, color, status, gender or believes. He doesn’t believe in hiearchy. “Honestly I think hiearchy and class division is the root of most evil in modern Society.”
Musician on the album: - Mýrmann. All guitars, Bass, Keys, piano, vocals and lyrics - Freyr. Vocals - The drums are programmed drums from the producer and musician Arnaud K
'Nordandrekar': https://open.spotify.com/album/55uyPsFjHUPtGaEQaexdS0
In Turkey, 30 people face investigation over social media posts that ‘insulted the president’
According to Article 299 of the Turkish Penal Code, it is illegal to insult the president. The accused can face up to four years behind bars. Since being elected in 2014, Freedom House reports that some “100,000 people have been accused of defaming the president” and breaking Article 299 of the Penal Code, a provision rarely used before, according to a 2018 report by Human Rights Watch. Students, artists, journalists, lawyers, and average citizens have been prosecuted or faced trial. According to the Ministry of Justice, General Directorate of Criminal Records and Statistics, 36,000 people were investigated for allegedly insulting the president in 2019 and 31,297 in 2020. In comparison, only four people were investigated under the article in 2010.
Last month, Europe's top human rights court, the European Court of Human Rights, ruled that the criminal proceedings instituted under Article 299 are in violation of Article 10 on freedom of expression of the European Convention on Human Rights.
Speculations over President Erdoğan's health have increased recently due to his frequent absences from the public eye. On November 3, the president did not attend the ceremony to mark his Justice and Development Party's 19th year in power. On November 1, he canceled his visit to Glasgow for COP26, the international climate change conference, which has drawn world leaders from nearly every nation on earth reportedly over a disagreement about security protocols. President Erdoğan was scheduled to deliver an address on Monday and Tuesday, laying out Turkey's “plans to meet emission reduction goals it has agreed to under the Paris climate agreement.” Instead, the Turkish Minister of Environment, Urbanisation, and Climate Change Murat Kurum represented the nation.In response to tweets and speculations over the president's health, his aides shared videos such as the one below, showing the president out and about.
According to Bianet, “while the hashtag made no reference as to who was ‘dead,’ almost all messages were implicitly or explicitly about the President.” In July, a video where the president appeared to fall asleep during a video address to the ruling AKP party members vent viral.
In its October judgment, the European Court of Human Rights said, “that affording increased protection by means of a special law on insult would not, as a rule, be in keeping with the spirit of the Convention, and that a State's interest in protecting the reputation of its head of State could not serve as justification for affording the head of State privileged status or special protection vis-à-vis the right to convey information and opinions concerning him.” As a result, the Court recommended that Turkey changes its laws and provisions to align with Article 10 of the Convention.
The likelihood of Turkey complying with the recommendation is slim. Days after the European Court's decision, Turkish lawyer Sedat Ata was handed 11 months and 20 days in prison for “insulting” the president based on a video Ata shared on social media in 2014. The European Commission also raised concerns in a country report that Turkey's judiciary mechanisms did not match international and European standards.
In 2014, Emma Woollacott wrote a piece for Forbes about how then-Prime Minister Erdoğan ordering a Twitter block was a prime example of the Streisand Effect. At the time, the decision to block Twitter was triggered by a series of audio recordings of Erdoğan instructing his son Bilal how to hide large sums of cash. Woolacott argued that the decision to block Twitter “only brought more attention to the corruption allegations,” namely the Streisand Effect. Fast forward to 2021, it looks as though President Erdoğan learned little from that experience.
Barbados prime minister Mia Mottley's defence of Small Island Developing States at COP26 makes her a regional rock star
Mottley's environmental star has been on the rise ever since her address at the United Nations’ Climate Event Summit on September 23, 2019, when she warned of mass migration if the climate crisis was not solved. Similarly, her speech at the opening of the #COP26 World Leaders Summit on November 1 made no attempt to sugar-coat the grim reality that Small Island Developing States (SIDS) like the Caribbean which are on the frontline of the adverse effects of climate change despite contributing the least to global greenhouse gas emissions are facing.
She called the failure to provide critical climate finance, which dropped by as much as 25 percent in 2019, “immoral” and “unjust”:
The pandemic has taught us that national solutions to global problems do not work. We come to Glasgow with global ambition to save our people and to save our planet. But we now find three gaps. On mitigation, climate pledges, or NDCs without more, we will leave the world on a pathway to 2.7 degrees, and with more, we are still likely to get to 2 degrees.
Calling out China and Russia, two major contributors to greenhouse gases that were noticeably absent from the conference, Mottley continued:
Do some leaders in this world believe that they can survive and thrive on their own? Have they not learned from the pandemic? Can there be peace and prosperity if one-third of the world literally prospers and the other two-thirds of the world live under siege and face calamitous threats to our wellbeing?
The central banks of the wealthiest countries engaged in $25 trillion of quantitative easing in the last 13 years. […] Of that, $9 trillion was in the last 18 months to fight the pandemic. Had we used that $25 trillion to purchase bonds to finance the energy transition or the transition of how we eat or how we move in transport, we would now today be reaching that 1.5 degrees limit that is so vital to us. An annual increase in the SDRs of $500 billion a year for 20 years, put in a trust to finance the transition, is the real gap […] that we need to close, not the $50 billion being proposed for adaptation. And if $500 billion sounds big to you, guess what? It is just 2 percent of the $25 trillion.
The Barbadian prime minister later told CNN's Christiane Amanpour that countries like hers, which contribute less than a percentage point to global emissions, have been facing the impacts of the climate crisis for some time now: water supply problems, coral reef degradation, saltwater intrusion, and the influx of sargassum, not to mention flooding and hurricanes.
Those who need to make the decisions, she said, “are kicking can down the road and they believe that they can because they're not seeing as they see themselves”:
They don't reach that period of peril probably for another 15, 20 years […] four degrees to Shanghai and Miami to be eradicated. Well, it's 1.5 and 2 for us.
They're waiting for it to hit them and we really are hoping that they'll recognize that no one is safe until everyone is safe and if the episode with vaccines hasn't shown us that, then we will never learn.
Her stance went over exceptionally well, with many regional netizens applauding her gumption and determination. Her example inspired some to wonder what it would be like if women ruled the world.
CONTEMPORARY SPACE ATHENS/ EUROPEAN CENTRE
he Contemporary Space Athens is an exhibition space established in Greece by the Chicago Athenaeum, Museum for Architecture and Design in collaboration with the European Centre for Architecture, Art, Design and Urban Studies.
Primarily, the space hosts exhibitions on the awarded products presented in the Good Design, International Architecture, American Architecture, Green Good Design and 40under40 programs curated and organized by the Chicago Athenaeum and the European Centre.
Contemporary space also gives room to the artistic community worldwide, presenting emerging artists while being an active observer of the new age of art and design. Its annual activity includes the organization of cultural seminars and workshops. It is committed to raise awareness on the artwork of major renowned artists, trends and new media and to set out firm collaborations with other cultural organizations and institutions that promote fine art.
Set in an area of 270 sqm, holding an exhibition space on the ground floor (170sqm) and on the loft (100 sq.m), the Contemporary Space is located on 74 Mitropoleos Str. in the historical center of Athens, right beneath the Acropolis.
74 Mitropoleos str, Plaka - 10563,
Athens, Greece
Tel: +30 210 3428511
Fax: +30 210 3428512
How to get there with Metro
Monastiraki Station
Blue Line
Informations
For all your applications or questions please contact with:
https://www.contemporaryspaceathens.com/about-us
Saudi women's activist Loujain al-Hathloul released and tweeting
Loujain al-Hathloul, the prominent Saudi activist and campaigner who had been detained since 2018 for demanding an end to the male guardianship system and to the ban on women's driving, was released last week and posted her first tweet since on Wednesday.
Loujain, who was abducted from the United Arab Emirates in May 2018, tortured, denied access to family, and kept in solitary confinement for periods of her incarceration, was sentenced to nearly six years in prison on December 28, 2020, by the kingdom’s notorious terrorism court. The six-year term, nearly half of which was suspended by the verdict, is down from the maximum jail term of up to 20 years which the public prosecutor demanded on December 17.
Local press citing the court's ruling said that the 31-year-old Loujain was found guilty of “committing acts criminalized under Article 43 of the Law on Combating Terrorism Crimes“, including engaging with foreign, hostile entities, and using the internet to serve and support an external agenda inside the kingdom, with the aim of harming public order.
Based on the ruling, Loujain's family predicted her release in March, as she had served the majority of her sentence in pre-trial detention.
Her release on February 10 was a development welcomed by politicians and sympathizers worldwide, with her family noting that Loujain remains restrained by a travel ban and limits on public appearances.
The celebrated release of Loujain is one of several positive legal developments concerning activists and political prisoners in Saudi Arabia, with some being released and others having their sentences commuted.
This shift is attributed to the changes in the White House. The departure of Donald Trump's administration, which overlooked human rights violations in the region, encouraging authoritarian regimes, and its replacement with an administration perceived to be keen on pressing allies to respect human rights, could have accelerated overdue trials and reduce sentences.
The prominent activist's release also encouraged calls for the freeing of other detained prisoners of conscience who are still languishing in Saudi prisons.
globalvoices.org
Capturing the mood on both sides of the Ukraine-Russia conflict in Donbas
On Valentine’s Day 2021, three Ukrainian soldiers died from an exploding landmine in the Donbas, the region of eastern Ukraine split by fighting between the Ukrainian government and Russian-backed rebel forces. The youngest was born in 1994, three years after Ukraine became an independent state following the collapse of the Soviet Union. The year he was born, Ukraine agreed to get rid of all the nuclear weapons on its soil. When he was three, Russia and Ukraine signed a Friendship Treaty, affirming respect for each other’s territorial integrity. Indeed, he grew up in a state whose territory was not plagued by armed disputes over unresolved legacies from Soviet and pre-Soviet times. Moldova and Georgia were not so lucky. Ukraine was a relative success story.
This changed in early 2014 when protesters forced the resignation and flight of President Viktor Yanukovych, a former Donbas political boss and pro-Russian politician. The Kremlin saw the so-called Euromaidan protests—what participants in Ukraine called a “Revolution of Dignity”—as a cynical western plot against its influence in Ukraine. Russia's leadership responded by fomenting revolts in Crimea and eastern Ukraine, and then intervening militarily to annex Crimea to Russia and support two breakaway territories in the Donbas, the self-proclaimed People's Republics of Donetsk and Luhansk (DNR/LNR).
Negotiators from Ukraine, Russia, Germany and France eventually hammered out a series of protocols in Minsk designed to end the fighting, delimit a frontline between combatants, and transition the breakaway regions back to eventual Ukrainian government control. That was six years ago. The fighting has stabilized along a line of control but none of the Minsk II protocols have been implemented. However, stabilization is a relative term. Soldiers continue to die from sporadic incidents along what is now one of the most heavily mined military front lines in the world.
To gauge opinions on both sides of the line of control, we conducted simultaneous computer-assisted telephone interviews (CATI) in September and October 2020. These surveys with similar texts were fielded by two highly reputable companies: the Levada Center Moscow for the self-proclaimed DNR/LNR and the Kyiv Institute of Sociology (KIIS) in the government-controlled Donbas. While conditions in the DNR/LNR prohibit safe and reliable face-to-face survey research at this time, we contend that it remains important to try to capture the views of those directly affected by the war.
Every aspect of daily life in and near a war zone is affected by the war. According to a 2020 Crisis Group report, war has “plunged an economically troubled region into ruin (…) On both sides of the front line, residents have settled into a new normal that drifts between dreary and dire.” Still, the daily routines endure despite the shadow of war. It is in everyday life—people’s ability to put food on the table, to hold a steady job, to see their children grow up safely, to obtain pensions—that trust in a state and its institutions is built or lost. These comparative trust levels on both sides of the line of contact might well decide the future of this divided region.
In this article, our results compare the trust in the national government in the Kyiv-controlled Donbas, on the one hand, and trust in the local authorities in the self-proclaimed DNR/LNR, on the other. In the government-controlled parts of Donetsk and Luhansk regions, some local authorities have not been able to carry out their civic responsibilities, while others have been replaced with a temporary civil-military administration. Local elections in Donbas have been severely curtailed since the start of the conflict, with the latest round in October 2020 cancelled in many areas along the frontline, disenfranchising over 450,000 citizens. The survey results confirm how distant the Kyiv government appears to the residents in this part of the Donbas. As seen in the first graphic (Figure 1), fewer than 10 per cent of the respondents trust the national government to take care of their needs as citizens, while about 45 per cent recorded their distrust.
In the DNR/LNR, trust appears to be higher with 26 per cent of the respondents expressing trust in the local authorities (18 per cent distrust). But with nearly half neither trusting nor distrusting the local authorities, political support for the self-proclaimed DNR/LNR authorities appears lukewarm. Indeed, the results suggest that the local population, just like residents in the Kyiv-controlled Donbas, know that they have to manage their lives as best they can without holding out much hope for help from the authorities.
Trust in the very institutions that should be responsive to citizen needs is low in the Donbas as a whole. But the relative gap in trust between the two parts of the Donbas is indicative of how residents in government-controlled regions believe Kyiv has left them behind. The Ukrainian state has significant work to do in those areas of the Donbas it governs.
Another stark indication of this gap across the line of contact are the answers to the question: “Do you think the region [country] is heading in the right or wrong direction?” (Figure 2). A majority of respondents (59 per cent) in the government-controlled Donbas think that things are heading in the wrong direction. In contrast, in the DNR/LNR, a plurality of respondents (44 per cent) think that things are heading in the right direction (23 per cent in the wrong direction), though about a third remain uncertain.
One of the characteristics of the Donbas conflict, in contrast to the conflicts in Moldova and Georgia, is that it erupted more than two decades after the collapse of the Soviet Union. While there was some tension over the fate of the Donbas after Ukrainian independence, it was not a burning issue for most residents. In fact, self-determination for the region was a cause that motivated only a minority. The ouster of the pro-Russian Yanukovych government in Kyiv in early 2014 nurtured and fed that sentiment. It is worth probing just how strongly people feel loyalty to the state and flag (DNR/LNR or Ukrainian) under which they currently live.
In our survey, we asked a question designed to measure what academics term a pure “public goods” vision of the state. It asks respondents to agree or disagree with the following statement: “It does not matter what country I live in; all I want is a good job and a good pension.”
This graph (Figure 3) might surprise readers, showing that majorities on both sides of the line of contact agree with the statement. Economic and material security thus trumps separatism and nationalism. Importantly, the numbers who disagree (just over one-third of the population) are also nearly identical on both sides of the Donbas dividing line. While this is a minority sentiment among ordinary people, those affirming the greater importance of “country” express the dominant and often the only acceptable view of those in positions of power. Whose flag flies where is the overriding concern.
Examination of the answers to these three questions by age and nationality reveals an important asymmetry. In the government-controlled area, older people and self-identified Russians are less trusting of the authorities and agree more strongly with the statement about material needs being more important than the flag under which they live. In the self-proclaimed DNR/LNR, it is younger people and self-identified Ukrainians who express these sentiments more strongly.
The degree of trust in local authorities on both sides of the territorial divide in the Donbas is a crucial factor shaping the future of the region. In certain fundamental ways, the aspirations of the majority of people on both sides are the same. However, this conflict was never about the Donbas alone: it is also about broader geopolitical struggles. As long as these endure, the conflict in the Donbas is likely to persist and lines on the ground and in residents’ minds are likely to become more entrenched.
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